Standing O or Hell No: Met Gala 2018


Last night was the Met Gala which everyone in the fashion community pretty much dies over and everyone outside the fashion community pretty much doesn’t give a hoot about. There are no awards. No one is even allowed to document what happens inside. But it is always one RAGER of a costume ball and even though I detest costumes, if Versace and Galliano are making them, I am here for it.

This year’s theme was Heavenly Bodies: Fashion and the Catholic Imagination. Whoever came up with this theme not only delighted Madonna beyond but was also brilliant because Catholic iconography has so much from which to draw. The church has always relied upon strong imagery to convey messages and to unite its constituents and this was all fodder for costume creation. I won’t lie, I feared some fairly blasphemous stuff but all in all I thought the interpretations were pretty tame. Speaking of Madonna, let’s review:

 

If there WERE awards and one was for Lifetime Achievement, Madonna clearly would’ve been exalted. This woman has been appropriating the imagery of Catholicism for her entire career.  Her Galliano is just another permutation of what she has always done and I feel it’s a success.  It is a nod to the nun’s habit and incorporates enough crosses to adorn every attendee.  Standing O.

In my opinion, Blake Lively (above) did a stellar job of embracing the theme and still looking gorgeous (vs overly costumey, ala Rhianna).  She drew on important symbolism in Catholicism – red (blood, tongues of fire), gold (Byzantium, feast colors), gilding (the Church and the Baroque), gems (often applied to holy vestments), and the crown (evocative of a halo and also the crown of Mary). Standing O.  Let’s get a side view:

I have two bones which require picking in regards to last night’s showing:

1) No one wore the thing I designed in my mind (how rude!) which was a white gown with train of enormous volume and proportion upon which a gorgeous Michelangelo fresco was painted.  Versace, I was counting on you!

2) The crown/halo idea was the crutch of the event.  Many attendees leaned on it and felt that it alone propped them up to meet the theme’s requirements. Kinda like when you work in a Business Casual environment and people feel anything goes as long as they do not wear denim or sneakers.  In both instances, this might be the letter of the law but not the spirit of the law.  The crown parade, to me, just looked like Coachella on speed (ok ok, Coachella is always on speed but you get what I mean) and it just wasn’t enough.  This group collectively receives a Hell No.

So, let’s review a few more folks who tried to do THE MOST.

 

Diane Kruger brought it as she always does: blue (the color for Mary), gilding, ethereal crown.  Standing O!

 

Lily Collins’s make-up game is always so strong. I love that she used the tear to evoke the Sacred Heart which weeps blood. Standing O.

 

Dear Versace, this was clearly YOUR EVENT fashion-wise. I know you dressed a ton of folks but in my fashion heart what I really wanted was more, bigger, and bolder of what you did here for The Migos who, by the way, get a Standing O.  For me, Donatella, you disappointed simply because you had a literal treasure trove of Catholic iconography at your fingertips and this is what you chose:

 

You should’ve OWNED this gala with your personal selection.  This was a missed opportunity and therefore a Hell No.

 

No one but no one can claim that Chadwick Boseman did not commit to the theme.  Standing O.

Excluding Zendaya as Saint Joan of Arc in Versace was an egregious oversight on my part.  I’m not sure how I missed this look on the first go-around (I honestly did not see it!) but due to an impassioned plea from my bestie, you may all behold this lovely image.  Standing O!

Discuss!