Standing O or Hell No: The Tony Awards 2017


I can point to many times in my life when my tendency towards stream of consciousness has gotten me in trouble.  For instance in my Goldman Sachs days, while attending a productivity seminar, the presenter asked the group for our understanding of “posting.” My hand shot up.  (It is important to pause and note that I had been riding motorcycles with my brothers the previous day.)  I blurted out that posting is when you are on your bike and go around a sharp turn and kind of drag your foot a little bit.  She looked at me with the pure disgust I clearly deserved considering my answer was solid proof I had been daydreaming for the whole first hour.

I find myself in a similar predicament today as I try to conjure up something relevant to say about the Tony Awards because, confession: I don’t pay attention to Broadway either.  I know that, to many, that is akin to admitting I don’t like puppies or ice cream but it’s true; And its reality is preventing me from both recognizing the attendees AND from writing anything that has to do with this particular awards show.  What it is NOT preventing me from is commenting on the outfits NOR from (stream of consciousness alert!!) singing every Tony! Toni! Toné! song I know (especially Feels Good) because they’ve all been running through my head on repeat ever since I realized the Tonys were showing last night.

I AM A LIVING NON-SEQUITUR.  Here I go again…

The primary thing that struck me about the Tony red carpet was the sheer number of patterns worn.  My heart was aflutter!  Ask any of my female clients my feelings on a patterned dress/gown and they will dutifully repeat two words: HIGH VALUE.  Such is the voluminous Zac Posen (above) worn by Liu Wen.  I feel that if Rebecca Taylor met Zac in a dark alley she’d find a way to punish him physically for coming up with this design first.  Standing O!

Fortunately for me I sometimes dabble in unsavory television programs like UnReal from which I recognize Denee Benton.  (Hot damn that show is GOOD.  The premise makes it sound like trash but the production value is high.  Trust me.  Or if you don’t trust me, the proof is in its Peabody Award.)  The production value of this Oscar de la Renta is also high.  It’s unusual and lovely and is super fun against that background.  Standing O!

 

Rachel Chavkin’s marvelous dress in one word: MOOD.  Standing O!

 

Badgley Mischka gets top marks for this splendid black and white print worn by Laura Osnes.  My only edit to this look would be to trade up for a bright red lip.  Otherwise she is perfection.  Standing O!

 

While not technically a pattern, Chrissy Tiegen in Pamela Roland is supreme.  She’s had so many successes on the red carpet this year and can count on me to keep cheering her on!  Standing O!

 

And one more for the non-patterned but severely stunning category: Cynthia Erivo in custom CG Studio.  Standing O!

 

It would be criminal – CRIMINAL – to rob you of your chance to ogle a handsome and perfectly turned out gentleman like David Oyelowo.  Enjoy.  Standing O!

Oh what the hell – we have time for two!

Standing O, Orlando Bloom!  Always.